A big thank-you to Emily, who recommended this book for me to read!
World Made by Hand, by James Howard Kunstler, is the tale of the citizens of a small town in New York state some indeterminate time in the future after oil has become unavailable, and calamity, in the form of terrorism, political upheaval, and lethal epidemics, has overtaken the United States.
Since I found writing what amounted to a synopsis of Bringing Down the House tiresome - and dare I wonder whether a similar feeling overtook those who read that post - I will focus my attention on one aspect of World Made by Hand, which is the aesthetic quality of the landscape. This is one aspect of the book which I believe provides much of its charm. I would have liked to have discussed Kunstler's use of the religious (and supernatural), but it, along with Kunstler's overarching theme - the contrast between our present and that of the characters - provide innumerable examples and do them justice would require more time and effort than I am willing to put in. It may be said that looking at Kunstler's use of the landscape involves reference to his 'new dispensation', and to the extent that it does, I will thus be treating with that larger theme.
Citations are taken from the 2008 publication by Atlantic Monthly Press. The book is written from the perspective of its protagonist, Robert Earle, a carpenter in a small town in New York State by the name of Union Grove; in the direct citations, then, any reference to the first person ('I,' 'me,' and so on) refers to him.